Musicians in many cases are faced with a crippling problem which their progress into a grinding halt. It is not an actual problem it's actually a dreaded case of scale overload. Guitarists of most degrees of proficiency can suffer from this issue and sometimes lament ... "all my solos sound like scales" or "all my solos sound exactly the sameIn ..
The catch is actually quite easy to overcome ... stop playing scales! It is not scales themselves which are the issue, it's how you practice and apply them.
Before we proceed with variety of ways to overcome a serious case of scale overload here's something I really want you to understand ... "we play what we hear" and "hear what we play" so as you have seen there's the problem at that time, if all we practice are scales, then all we'll hear will likely be scales.
This alone results in a 'bind' where when we would like to be creative we'll keep hearing scales in our head and therefore our fingers continues playing exactly the same tired scale patterns.
Cell phone a great way to play music as opposed to standard scales!
Introducing the "Three Note Per String Scale System" ...
A larger Jamorama Guitar Lessons number of the common fingering patterns have a tendency to lock the guitarist in to a lateral pattern whereas lots of the notes you're hearing in your thoughts are simply outside these shapes.
An excellent system for in the guitar fingerboard could be the three note per string scale system.
It's an easy system had you been simply play three notes from the scale then move to a higher string and play the next three notes of the scale again to the next string and play the next three notes etc.
Suppose it suited you to apply the C major scale with all the three note per string system.
You might start on the 6th string the following: F = 1st fret, G = 3rd fret along with a = 5th fret then move to the fifth string.
5th string strategy: B = 2nd fret, C= 3rd fret and D = 5th fret now moving towards the 4th string.
Around the 4th string the notes will be E= 2nd fret, F = 3rd fret and G = 5th fret
Your Third string has to beEquals 2nd fret, B= 4th fret and C= 5th fret
Whenever you move to the 2nd string you will have to shift your left-hand slightly because notes are played:-p = 3rd fret , E = 5th fret and F = 6th fret
Moving towards the first string the notes are G = 3rd fret, A = 5th fret and B on the 7th fret.
Whenever you play this scale it will sound incomplete, that's because you are not starting or finishing on the keynote of "C".
Try playing a few note per string scale starting on the note C on the fifth string minimize towards the low F on string six, then play the scale ascending approximately the top "B" on the first string, then back off towards the "C" on string three.
Playing this scale will begin to free up the way you approach your guitar.
Tuesday, July 3, 2012
Easy Online Guitar Lessons - How to Turn Scales Into Music by Using the Three Note Per String Scale
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